Hiring a US camera crew from outside the United States is straightforward with Assignment Desk. We supply Directors of Photography, camera operators, audio technicians, and field producers in 50 US cities. Our booking process is designed for international production companies and broadcasters: email us your shoot details, receive a same-day quote in USD, and have a confirmed crew within 24 hours. No US office required. No third-party middlemen.
Send us your shoot date, city, crew requirements, and a brief description of the production. Email or phone — whichever is easier.
We return a full quote in USD within one business day — crew types, day rates, and what equipment is included.
Once you approve the quote, we confirm the crew and send a deal memo. Your crew is locked in.
Your US crew arrives prepared, briefed, and equipped. Our producers are available by phone throughout the day if you need anything.
After the shoot, you receive one invoice covering all crew and equipment in USD. We accept wire transfer and credit card.
Responsible for the complete visual look of the shoot — camera operation, lighting design, and exposure. Our staff DPs have 10+ years of broadcast experience shooting for major networks.
Operates camera under the direction of a DP or producer. Ideal for multi-camera setups, B-roll teams, and ENG situations where a second camera operator is required.
Records and monitors all on-set audio — boom, lav, and mixer. Essential for interview-heavy shoots, press conferences, and any content where clean dialogue is critical.
Coordinates the shoot on the ground — location logistics, talent management, and shoot-day execution. For international clients, a US field producer is often the key to a smooth shoot without a travelling producer.
Day rates are indicative ranges. Actual rates depend on market, experience level, and shoot type. View the full rate card →
One producer handles everything — crew booking, equipment confirmation, shoot-day support, and invoicing. You never need to manage multiple vendors or contacts.
All invoices are in US Dollars. We provide documentation compatible with European VAT reclaim processes — EIN, itemised line items, company address — on request.
We supply both IATSE union and non-union crew. Most international shoots use non-union for flexibility. We advise which is right for your specific production.
Whether you shoot in New York or Nashville, the equipment package is consistent: Sony FX9 or equivalent, broadcast lenses, Sound Devices audio, professional lighting.
Provide your shoot date, city, and brief. We respond within the business day with a confirmed crew and full quote.