Assignment Desk

Camera Operator Day Rate

Assignment Desk camera operator day rates range from $500–$900/day for a standard camera operator and $800–$1,500/day for a staff Director of Photography with a full broadcast package. All rates are for a 10-hour production day in 24+ US cities.

Transparent itemized quotes — no hidden fees, no agency markup. Submit a brief and receive crew names, credentials, and exact rates in under 60 minutes.

Crew Day Rates by Position

Standard 10-hour production day. All-in rates — no hidden fees.

Director of Photography (Staff DP)

Most Hired

$800 – $1,500 / day

Includes: Full broadcast or cinema camera package (Sony FX9 / ARRI), lenses, wireless audio, LED lighting

Rate includes equipment. Major markets (NYC, LA) at higher end.

Camera Operator

$500 – $900 / day

Includes: Camera operation, camera body and basic lens. Audio and lighting separate.

ENG-style operators at the lower end; scripted/commercial rates higher.

ENG Crew (Camera + Audio)

Best Value

$900 – $1,400 / day

Includes: Camera operator + audio technician as a 2-person unit with full broadcast kit

Standard rate for news, corporate, and event shoots. Most efficient for single-day shoots.

Audio Technician

$400 – $700 / day

Includes: Sound Devices recorder, wireless lavs, boom, IFB. Multi-source mixing.

Complex live event / multi-source setups at higher end of range.

Field Producer

$500 – $900 / day

Includes: On-location production management, talent direction, shot list and call sheets

Rates higher for producers with editorial experience or specialized verticals.

Gaffer / Lighting Technician

$400 – $700 / day

Includes: Lighting design and operation, LED and HMI fixtures, grip and rigging

Complex setups with additional fixtures billed separately by arrangement.

Drone Operator (FAA Part 107)

FAA Certified

$600 – $1,000 / day

Includes: DJI Inspire / Mavic Pro, FAA certification, liability insurance, edited footage

Congested airspace (major metros) may require waiver time that affects scheduling.

Production Assistant

$200 – $350 / day

Includes: Set logistics, talent wrangling, equipment management, PA duties

Experienced PAs with driver's license and production gear at higher end.

Rates are guidelines based on standard US market conditions. Get an exact itemized quote for your specific shoot — free, no obligation.

What Affects Camera Crew Day Rates

Five factors that determine where your crew rate falls within the range.

Market

New York, Los Angeles, and Chicago run 15–25% higher than regional markets like Nashville, Charlotte, or Denver. International markets vary widely.

Equipment Package

Staff DP rates include their full equipment package. Operators who provide their own gear vs. operating on client-supplied equipment have different rate structures.

Production Type

News and ENG rates differ from commercial and branded content day rates. Live event production (multi-camera, broadcast) typically runs higher than single-camera corporate.

Experience Level

Crew with broadcast network credits, major agency clients, or specialized skills (drone, Steadicam, underwater) command premium rates in all markets.

Day Length

All rates are based on a standard 10-hour production day (including setup and wrap). Hours beyond 10 are billed at time-and-a-half per union/guild standards.

Camera Operator Day Rate — FAQ

What is the standard day rate for a camera operator?

Camera operator day rates through Assignment Desk typically range from $500–$900/day for a standard 10-hour production day. This rate covers camera operation, camera body, and basic lens kit — audio and lighting are priced separately. Directors of Photography (DPs) with a full broadcast or cinema package range $800–$1,500/day depending on the market and equipment included. Get an itemized quote by submitting your shoot brief.

What is included in a camera operator's day rate?

Assignment Desk camera operator rates include: the crew member's time for a standard 10-hour production day (setup through wrap), their camera body and basic lens kit, and in the case of staff DPs, a complete broadcast package including wireless audio and LED lighting. Equipment outside the standard package — specialty cinema lenses, specialty rigs, on-camera monitors — can be arranged in advance.

Are day rates different in New York or Los Angeles vs. other cities?

Yes. Major markets like New York, Los Angeles, and Chicago typically run 15–25% higher than regional markets. High cost-of-living cities and markets with strong union/guild presence (IATSE, SAG-AFTRA) generally have higher base rates. Markets like Nashville, Charlotte, Denver, Austin, and Indianapolis offer competitive rates with experienced broadcast crew. Assignment Desk provides market-specific quotes for every booking.

Do I pay extra for overtime on a camera crew?

Yes. The standard production day is 10 hours including setup and wrap. Hours beyond 10 are billed at time-and-a-half (1.5x the hourly rate derived from the day rate). Double time applies after 12 hours in some markets. Assignment Desk includes overtime terms in every booking agreement so there are no surprises.

How do I get an exact quote for camera crew?

Submit your shoot brief at assignmentdesk.com/hire-a-crew — include the shoot date, city, positions needed, and production type. A coordinator will provide an itemized quote with crew names, credentials, and transparent day rates — typically within 60 minutes. There is no fee to get a quote and no obligation to book.

Get an Exact Quote for Your Shoot

Submit your brief — itemized quote in under 60 minutes. No obligation.